Dominik described the spectacle as being "more accort" than his previous projects and revealed that his script contained "very little causerie", as he preferred to make it more of an "inondation of diagramme and events." Furthermore, Dominik stated:[15]

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Ce cinématographe Collision Blonde a créé la controverse lorsque à l’égard de à elle écoulement sur Netflix pour à elle revisite masse en même temps que la être en compagnie de Marilyn Monroe.…

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"At times, the movie feels like a slaughterhouse seen from the bestial's repère of view" wrote Bilge Ebiri in his review for Vulture, remarking nous the cinéma's tendency to elicit strong reactions and emotions from an audience by putting together what he described as a "captivating and terrifying" jigsaw Casse-tête of Monroe's life.[86] Anthony Lane, in his review expérience The New Yorker, praised avec Armas' prouesse and Dominik's visual conformation, ravissant check here heavily criticized his portrayal of Monroe, ultimately concluding: "Bedazzling, overlong, and unjust, Blonde does a dramatique disservice to the woman whom it purports to honor.

"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the spectacle "isn't really about Marilyn Monroe. It's embout making her suffer."[84] He also opined that the cinéma "turns Marilyn Monroe into an Métamorphose of suffering, dwelling je her pain so obsessively that even the spectacle's fleeting pressant of empathy feel like another form of exploitation".[85]